On Sunday night Hot Water Comedy in Liverpool let me perform and so I could record my set. I’ve needed a new recording for a while. Not gigging as often means I’m seen by less people so getting gigs from meeting people is getting harder. Also I’ve been conscious that when I record the songs on their own they lack the context of how I intend them to work in a gig situation. I also write this blog lots and for someone who wasn’t at the gig the notes make very little sense.
I was on first at this gig, the audience was warm, about 40 in, but it’s probably fair to say they were warmer in the middle and final sections. Paul (compere) had got them up for it, but there was a fairly painful man on the front row who was being a bit of a tit. There’s a fair amount of stuff I left out, some bits I rushed and also some audience interaction that I passed up. The mini-motif (70s TV Star) also doesn’t have a final verse so I missed that punchline.
I’ve not really watched the video (I just added titles and uploaded) so I thought I’d write some notes live while I watch. This might be interesting, might not. Rest assured that while watching I cringe. For those regular readers of this blog you’ll know I’m overly self critical so what you see and what I see may vary a bit. Also I’ve become increasingly conscious that I’ve clearly skipped arm day (and leg and torso day) and also that I look a bit rough. There’s also a presentational thing – I don’t look pro, or like I’m going to be funny. Not quite sure what I mean by that. Maybe it’s that I’m at the side of the stage to not annoy Paul too much.
So yeah, enjoy. Please comment on the bottom of here or on the link you found this on (it’s nice to know someone reads), and if you think it’s good then share (and if not then shhhhhh). Finally, I have a mailing list (top right on the desktop site) so please subscribe!
- Pre show thoughts were dominated by panicking that I’d failed to plug in the ipad mic correctly.
- Hecklers are tricky, ignoring was my tactic with loaded sarcasm. He gestures a lot and kept making odd comments which you can’t really hear on camera.
- Ready to Rock works better when people do nothing the first time round. I missed a joke here… “You’re only wasting your own time” is the classic one (a bit hack though).
- The “ginger comperes” is something I do with whoever is compereing, makes it seem more in the moment.
- I am a gentle lover.
- The “Genocide” joke doesn’t really work, but the “When I was a kid” was accidental and will happen again – I think I need (time permitting) to add a few more stories of sexual failure in here.
- Finger Up My Bum is played at too fast a tempo for the chorus which loses the audience a bit and the period joke could have dropped better.
- Berating the audience for not joining in is quite good fun. Dropping a c bomb is a risky gambit, I think if I hadn’t the next bit might have gone better.
- “Cured Racism, No Biggy, had a weekend free” is crap and a bit arrogant which doesn’t really fit with the character I use on stage. It really needs a story to accompany it.
- Racist Bread they don’t go for at all and felt like hard work… Interestingly the more diverse an audience the better this goes – it tends to be a bit too soft to get big laughs.
- Wedding Song intro is usually much more drawn out than this, usually I add an extra level of detail which builds it all up and makes verse one really fly. The extra detail to add the realism to the situation makes it all the more believeable – I think that might be a running theme of this set – rushing – with musical stuff time seems to go much faster, I was pushing but still went over by 2 and also cut the set 1 song shorter.
- 70s TV Star reprise gets an okay response, if I do it the 3rd time then it all makes sense and there’s an artificial sense of a rounded set. It kind of disguises the lack of plot or narrative running through what I do.
- Finger you should have lasted a lot longer, I kind of faked the running out of breath thing, whereas I suspect if I did this for twice as long then the payoff would be brilliant.