Sam Freeman

Storytelling | Theatre | Arts Marketing

Gig Report: Hot Water Comedy, Liverpool

Sometimes you make a mountain out of a molehill and build things up to a ridiculous degree in your head until you find yourself driving to Liverpool wondering if you could persuade your car to break down on the way so that you don’t have to do a gig.

Now. I appreciate that is an odd start to this report. Hot Water Comedy is probably the nicest comedy room in the North West now, the laughter reverberates and builds, it’s a friendly crowd, the compere is a little too good for comfort and you feel incredibly looked after every time you do it. But it is the gig that makes me panic and worry.

I suspect the reason is that I learn how to do comedy on their comedy course and so have always had a relationship with performing there as it being a huge deal. I gigged at the Crown, the pub where I first met them and it was dingy and dirty but it was the room I learnt in, it felt so incredibly natural to gig there. The Holiday Inn I struggled with – it was too cold and “business” as a venue for my personal taste. I think think was the point I started to build it up in my head – I think I worried that I’m going to let people down who are expecting better and the surroundings at the Holiday Inn were better, just not for me.

Now installed at their custom new venue I had visited a few times to look around and knew it was an ace space. A Saturday night as paying audience confirmed it. Essentially I didn’t want to be shit in such a well set up room.

So was I?

In a nutshell no. I was okay. By no means perfect, but i got the laughs, some lovely comments afterwards, and a slightly awkward moment where someone complimented my set and I froze and said “are you sure”,

Key things learnt.

  • I’ve got a new keyboard. Knowing what all the buttons do is essential as my start was weak because I pressed the wrong one.
  • My opening is still a bit ropey, the first proper song needs to be punchier and get people on board and at the moment I’m missing this from my set.
  • Doing a song about racism in a pitch black room illuminated only by the swaying light of the audience’s phones and 2 cigarette lighters is cool as fuck. Excellent from Binty in dimming the lights.
  • The sound in the room is great but really difficult to judge on stage.
  • I ran out of time for new stuff which I am desperate to test properly.
  • I need another “70s TV Star” reoccuring song to throw in.
  • My set lasts 14min without really trying and with taking out 2 songs.
  • I need to have free CDs to give out at the end. (or maybe for £1 if it goes well!)

End result
My performance: 7.5/10

Also on who were massively impressive and have also appeared in The Skinny:
Simon Lomas – First time i’d seen his set – very clever, brave with pauses, some smart but simple crowdwork.
Hannah Platt – Seen this set before but it’s getting more layered with extra callbacks that I enjoyed.

Oh and here’s the song I didn’t do…